PPlay Bona

What the press are saying about Nightblade


Interview with Diane Davies, HRH Magazine

Volume XV1, page 20

DD – Hi Guys, nice to catch up with you.

Hiya and thank you for the interview opportunity, it’s really appreciated.

DD – Nightblade were formed in 2010 and now after a break, you are back, has the time off given you renewed energy?

I guess everyone needs a break now and again and it certainly helps you take stock and review things. We now have a renewed energy and creative force, we can’t just stop writing, and I am particularly pleased with our present line-up at the moment – we are gelling so well together.

DD – Your first album ‘Servant To Your Lair’ was released in 2011, do you still play tracks live off that debut?

Yes, we do but it’s occasional. It depends on the venue that we play but there is always the odd surprise here and there from that record. We are usually more partial to playing two to three songs from ‘Closer To The Threshold’ and ‘Crisis Has No Prejudice’. When we did Servant, we were aiming at more metal sound as opposed to our current alternative-rock sound.

DD – How did you find writing the last album ‘Ignorance Is Bliss’, as it’s been a few years since the ‘Crisis Has No Prejudice’ EP?

We had a lot of built-up material whilst putting a new line up together. It was lovely writing again and that was aided with a slightly different musical direction. For me writing is one of the most exciting parts, when a melody or hook is created it gives me a real buzz. I love locking myself in the attic room for a few hours with pen and paper and emptying my head of thoughts.

DD – Were you surprised with the large amount of media attention for ‘Ignorance Is Bliss’?

Given the problems of last year, it was great that everyone got behind it to the extent that they did. To be honest, I was a bit surprised, I do think there is a real demand and gap for the sort of sound that we are producing – the metal genre seems somewhat overloaded and saturated to me.

DD – You have just released the single ‘Wake Up’ from your new album ‘Unknown Territories’, what made you choose that particular one?

We always aim to put a couple of quick-riff tunes on our albums, and they can make great singles too. ‘Wake Up’ was written quite early on in the album process and we earmarked it as a definite single from the word go. We were looking for a real punchy track to open the album and to catch people’s attention.

DD – Do you all contribute to the writing side of things?

I write the lyrics and the music is a joint collaboration, we have a great creative and musical hub – as my mother used to say, “I always have too much to say!” So, I put it all on paper to give my mouth a rest 😂. I am often influenced by different people in life. I run a gym, and I meet many different characters that constantly fuel me with inspiration for writing, it’s a pretty unique and diverse place.

DD – Are you going to tour when possible?

Yes, we will be gigging soon when venues free up and the back log has cleared. We are going to be spoilt for choice with what to play as we have two albums worth of tracks to pick from. We are so looking forward to playing the tracks from both albums. They were born to be played live and to get the adrenaline going.

DD – You all have different musical influences; do you think this is why Nightblade have such an original sound?

We do have a broad spectrum of influences which moulded together help create a fresh interesting sound which we are trying to carve out. We are not trying to sound like any one thing to be honest, to a degree it sounds how it sounds when it’s created, and if that adds another flavour to our album, then so be it. This all helps create a diverse album, I’m not really scared of putting something different on our albums.

DD – Which are your favourite songs on your setlist, which ones do you love playing most on stage?

We are itching to play all of our new stuff; we have some songs which will be really great to play live. My favourites of old were ‘Closer To The Threshold’, ‘Your Soul Right Of Way’ and ‘Crisis Has No Prejudice’.

DD – I remember seeing you support Snakecharmer at Kidderminster Town Hall a few years back, would you say that was one of the highlights for Nightblade so far?

Yes, I was a big Whitesnake fan, so it was fantastic meeting Mick Moody and Neil Murray. I think we have played with the guys three times now. Playing with Blaze Bailey was also very nostalgic and an absolute blast. We did a gig with an iconic psychedelic rock band called, Iron Butterfly, and backstage we were talking to one of the guys from Seattle – he had some interesting stories about Chris Cornell and Pearl Jam. These guys gigged with Cream, Zeppelin and Floyd etc, real icons.

DD – You are mainly in the Kidderminster area, what do you think of the local venues?

We aren’t exactly inundated with good venues round here, but the town hall has hosted many good rock acts over the years. I still like the River Rooms in Stourbridge and I’m glad KK Downing set up his venue in Wolverhampton. We could do with more venues in the area, and I have always been tempted to do one myself to help liven things up.
I live here as well and miss ‘The market Tavern’ and even the ‘Riverboat’, those places were legendary.
Yep, people still refer to those places very fondly.

DD – So what’s next for Nightblade?

Well, we already have plenty of ammunition for our next album and will be putting a live set together too. We are really excited about completing and recording three albums in three years, it was just a little target of mine. Now, that’s in sight I’m not sure if to go for four albums in four years now? We are really going for it, so watch this space.

DD – Finally, is there anything you would like to say to the HRH Mag readers?

We hope you like the new album and stay tuned because there is more where that came from. Thanks for reading and see you at a show very soon.

DD – Thank you for taking time to chat and hope to see you play live again soon.


Review by Diane Davies,
HRH Magazine

Volume XV1, page 76

Nightblade – Unknown Territories

Album released 24/9/21

Founded in 2010, this four-piece from Worcestershire, soon rose to glory with their debut ‘Servant To Your Lair’ and in 2013 ‘Closer To The Threshold’ also gained them wide acclaim. In the past they have supported the likes of Snakecharmer, Wolfsbane and Diamond Head, which proves these guys are quite popular. Of course, due to Covid restrictions they were unable to tour and promote their last album ‘Ignorance Is Bliss’, but that hasn’t stopped them writing during lockdown and getting the follow-up, ‘Unknown Territories’ in the bag.

The 11 tracks kick off with the single ‘Wake Up’, a lively and punchy number with the distinct growl of vocalist Mark Crosby giving it stacks of attitude. Guitar from Sam Morse adds edgy sharpness, and it runs perfectly into the title song ‘Unknown Territories’ which has stable drumming by Rich Lawley, that lies really well under the building melody. As it gathers momentum, it develops so forcefully, you’re surrounded and in the midst of the song, before you know it.

‘Apparition’ is more alternative sounding, while ‘Feeding The Reel’ is a proper stomp. When we reach ‘What’s Your Name?’ the band give us something quite spectacular. Kick out any reservations and get down and sample a bit of this, off-the-wire, low and messy, the bass of Tim Cutcliffe and Sam’s guitar are bashed against the wall, while Mark destroys you with his grit-spitting lyrics.

The band party in true Rock-n-Roll style on ‘No Part Of It’ a bit of slap-boogie that gets your feet moving and I love the complete change of direction.

We delve into melancholy during ‘I See The Best In Everyone’ a song full of poignancy. ‘One Last Chance’ is a more rapid track to end on, it has a charm about it and evens out the album with its less attacking nature.

A brilliant piece of work


Interview by Adam Hextall,
Powerplay Magazine

Issue 245, page 6

Nightblade – Unknown Territories

“With Nightblade’s latest release ‘Unknown Territories’, the former metal outfit has made the transition into a fully fledged alternative rock act. If you’re a fan of modern rock music, want something with an edge and recognise that bands need to evolve then this music may we be just what you’re looking for.

There are subtle nods to the…..”


Sadly we are not permitted to reproduce the article in full here.

Review by Duncan Everson,
Powerplay Magazine

Issue 244, page 41
8/10 Powerpoints

Nightblade – Unknown Territories

Continuing the comeback they started with 2020’s ‘Ignorance Is Bliss’, this latest release sees Nightblade’s sound refined further from their traditional metal beginnings, but it’s an evolution rather than a revolution.

On first listen the songs seem straightforward enough but on further exploration, each one has something that lifts it apart from the rest. ‘Apparition’, for example, uses keyboards sparingly but to great effect which really enhance the song, as they do again on ‘Here’s To You’, a heartfelt and emotional song, which also comes across in the vocals.

 ‘Weathering The Storm’ features a brilliantly catchy chorus that will have you singing along after the first listen and shows what a great writer and singer Mark Crosby is. In fact, all the songs have excellent lyrics which are on a “quest to understand the human mind” according to the band. ‘Son Of A Fallen Man’ is another song with a massively hooky chorus that will take up residence in your brain.

If you’ve been with the band thus far, then stick with them further and you’ll be rewarded by more riff-driven alternative rock featuring interesting lyrics and great performances. It’ll be interesting to see what further progression the next release will bring.



Press Release, June 2021

Since their inception in 2010, the band have consistently gained new friends and fans for their enticing blend of alternative rock. Their critically acclaimed debut album, Servant To Your Lair, incited extensive touring and strong support from Metal Hammer magazine. NIGHTBLADE followed the release with 2013’s, Closer To The Threshold. The album snared the backing of Powerplay, and also introduced the band to the Japanese market with the country’s largest rock magazine, Burn, endorsing the Brit rockers.

Throughout 2014 and 2015, the quartet concentrated efforts on live shows, sharing stages with renowned international acts such as Snakecharmer, Wolfsbane and Diamond Head, before dropping their popular EP, Crisis Has No Prejudice, to much praise once again. In 2016, the foursome went into a hiatus, but they successfully resurged in 2020 with the album, Ignorance Is Bliss. The record picked up a raft of coverage and support from: Kerrang! Radio, HRH Magazine, Metal Temple, ERB Magazine, Ramzine and Moshville Times, who all proclaimed the album as a true return to form for the alt rockers.

Due to the Covid-19 pandemic, the band were not able to gig and fully support Ignorance Is Bliss, which prompted NIGHTBLADE to turn their energy to writing and recording. During lockdown, the foursome crafted Unknown Territories, and it’s a true calling for all rock fans. Taking in eleven tracks, the album is an intense affair which gestures towards Alter Bridge, Pearl Jam and Guns N Roses. Vocalist and frontman, Mark Crosby expounds: “This record is a journey into mystery, darkness, and the fearful unknown– a quest to understand the human mind and its minefield of complexities. Diverse, and with a typical disdain for conformity, this album is built with Nightblade’s creativity, confident in the knowledge that it sounds powerful, whilst developing and refining what is ‘The Nightblade sound’ in the process.”

With a plethora of singles and visually appealing videos in the pipeline, plus some long-awaited gigs, 2021 and 2022 will be a marked period for NIGHTBLADE.

Review by Chris Mee, Fireworks Rock & Metal magazine

Issue 96, Autumn 2021, p92

Nightblade – Unknown Territories

(Heavy Psych Sounds – Hard Rock)

‘Unknown Territories’ is the fourth album released by British Classic Rock band Nightblade, following closely on the back of last year’s ‘Ignorance Is Bliss’. The current line-up is Mark Crosby on vocals, Sam Morse on guitar, Tim Cutcliffe on bass and Rich Lawley on drums.

Due to being unable to tour to promote ‘IIB’ due to the Covid pandemic, the band put their time and efforts into writing and recording the material for this new release. The band play very much in a riff driven Classic Rock style with plenty of melodic content and have toured extensively, with the like of Diamond Head and Wolfsbane.

The musical style reminds me of one of my unsung British favourites, Racing Mars, with their simple no-nonsense, catchy melodic hooks. I noticed that the bass levels on all the tracks goes really low and subsequently gives an additional punch to the music.

‘Unknown Territories’ contains eleven tracks of classic British Hard Rock and vocalist Crosby describes this release as, “…a journey into mystery, darkness, and the fearful unknown – a quest to understand the human mind and its minefield of complexities. Diverse, and with a typical disdain for conformity, this album is built with Nightblade’s creativity, confident in the knowledge that it sounds powerful, whilst developing and refining what is “the Nightblade” sound in the process.”
I included this comment as I didn’t pick up on any of this from simply listening to the music. Of these eleven tracks only ‘See The Best In Everyone’ is a slow paced light acoustic number, the remaining tracks are all riff driven rockers. First single ‘Unknown Territories’ is driven along with a catchy recurring riff though I believe the more commercial and catchier album opener ‘Wake Up’ may have been a better choice. ‘No Part Of It’ opens with a neat bass/drum combination and is guaranteed to rattle your fillings played at high volume. Songs like ‘Feeding The Reel’, ‘Weathering The Storm’ and ‘Son Of A Fallen Man’ contain some interesting lyrics and decent riffs. ‘One Last Chance’ completes this release and again leads off with a thumping bass riff.

This is a fine Classic Rock release which is easy on the ear and should translate well to the live setting.